Motion · Video · AI · Design
30 years at the edge of creative technology —
motion design, video production, and AI content creation.
Highlights from the portfolio — AI content creation meets enterprise motion design.
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I started at 17 as an intern at Mello Smello in Minnesota — hand-drawing illustrations, scanning them into a computer, and coloring them digitally. That was before Adobe Illustrator. I didn't just grow up with the creative industry. I watched it get built.
Nearly 30 years later, I've worked every angle of it: print, web, video, motion, branding, photography, teaching, and enterprise creative production. I've been continuously freelancing as a multimedia designer since 2000, taught at the Art Institute of Las Vegas, and built entire video production programs from the ground up at enterprise scale.
My most recent chapter was at Inovalon — where I joined a company that had never produced a single video, and built a webinar program that became one of their highest-performing customer touchpoints, driving significant business through product education.
Now I'm all-in on AI content creation. Not because it's trendy — because it's the next major shift in the creative industry. I've been at the front of every shift so far, and I don't intend to stop.
The site you're looking at right now? I built it myself — from scratch, no templates, no WordPress, no developer. Just AI collaboration, curiosity, and a willingness to figure it out. That's not a footnote. That's the whole point.
After 30 years in the industry, some things have become clear.
I've made it a deliberate practice to learn the next thing before it becomes necessary. When everyone else is catching up, I'm already building. Right now, that means AI — not as a trend I picked up last year, but as a discipline I've been immersed in for years, testing platforms and producing real work.
Some of my proudest work isn't a deliverable — it's a capability that didn't exist before I arrived. At Inovalon, there was no video, no webinars. I asked the right questions, built the right process, and created a production program that became one of their most impactful customer channels.
I can shoot, edit, animate, design for print, write code, brand a company, and generate AI content. Most creative professionals do two or three of these. The ability to see across disciplines — and connect them — is where my most interesting work lives.
Teaching at the Art Institute forced me to understand not just how to do things, but why they work. When you explain motion principles or character design to a student, you discover every gap in your own understanding. That clarity has never left me.
I've watched the creative industry transform multiple times. Hand illustration → Illustrator → Print → Web → Video → Motion → AI. Each transition scared many people into holding on to what they knew. I took the opposite approach every time — and it's worked out.
Creative work doesn't happen in isolation. Some of my best growth has come from communities I'm part of — sharing ideas, testing approaches, helping others work through problems. The more I give in a creative community, the more I get back. It compounds.
Have a project in mind? Send a message or connect on LinkedIn.